So the Ungaretti project was all mapped out, it was just a case of making it. in terms of sound, i knew from the start that i wanted a sort of drone/soundscape to accompany the deathly and dark imagery. I created tension and unease in the way it was built up to the loud snap. At that point i chose to create total silence, as the line in the poem going "with the pressure, of his hands, piercing, my silence". And have the drone build up again from there.
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